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AI Automation Index
Task-level automation exposure for Film and Video Editors: 22 O*NET tasks scored against their work activities, plus the simulator.
Automation Exposure
22 of 22 tasks scored
Median Salary
BLS OEWS, May 2025 — this exact occupation
Employment Level
25,610 people hold this job — size, not growth
Projected 2025–35
3,100 openings a year · BLS line item
BLS OEWS publishes 43 state estimates for this occupation. Each is its own survey estimate, not the national median adjusted for local prices.
$38,800 – $103,440
Highest medians
Lowest medians
State figures come from the 27-4032 row in the May 2025 state panel. States where the estimate was suppressed or too small to publish are absent.
Each task is mapped to its work activities, scored for AI automation potential, and weighted by how important those activities are to the job. These are the components.
Importance-weighted mean of the scored tasks. This is the headline index.
Share of weighted tasks in hands-on or machine-operating work activities.
Share in analysis, decisions, teaching, directing, advising, or caring for others.
Share in documenting, recording, and administrative activities.
Share of weighted tasks O*NET rewrote in a recent update. Reported, not folded into the score.
O*NET's own rating of how serious an uncorrectable mistake would be here — respondents, not us. Deliberately not in the index: the score measures what AI can do with the task content, and multiplying it by stakes would be our judgment dressed as data.
22 tasks for this occupation, weighted by work-activity importance. Shares below are of total task weight, not task count.
7 tasks
11 tasks
4 tasks
Move your week away from the high-exposure tasks and toward the ones that need judgment. The simulator recalculates the index as you shift the mix.
Simulate Upskilling →Tasks O*NET added or rewrote for this occupation in its recent updates (05/2025 – 08/2026), with who proposed them. Additions are not in the scored task inventory — they are new work O*NET is still measuring, so they appear here and nowhere in the index. A Revision replaces a task that is scored, which is why only those move the "Rewritten by O*NET" share.
Write scripts.
Organize and string together raw footage into a continuous whole according to scripts or the instructions of directors and producers.
visual inspection — AI assists cuts; editorial and technical judgment human
Edit films and videotapes to insert music, dialogue, and sound effects, to arrange films into sequences, and to correct errors, using editing equipment.
visual inspection — AI assists cuts; editorial and technical judgment human
Select and combine the most effective shots of each scene to form a logical and smoothly running story.
text generation — Content selection aided; audience judgment human
Review footage sequence by sequence to become familiar with it before assembling it into a final product.
decision support — Content curation aided; editorial accountability human
Set up and operate computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product.
visual inspection — AI assists cuts; editorial and technical judgment human
Trim film segments to specified lengths and reassemble segments in sequences that present stories with maximum effect.
visual inspection — AI assists cuts; editorial and technical judgment human
Cut shot sequences to different angles at specific points in scenes, making each individual cut as fluid and seamless as possible.
visual inspection — AI assists cuts; editorial and technical judgment human
Review assembled films or edited videotapes on screens or monitors to determine if corrections are necessary.
decision support — Content curation aided; editorial accountability human
Verify key numbers and time codes on materials.
data analysis — Data accuracy verification is rule-based and reliable
Manipulate plot, score, sound, and graphics to make the parts into a continuous whole, working closely with people in audio, visual, music, optical, or special effects departments.
visual inspection — AI assists cuts; editorial and technical judgment human
Program computerized graphic effects.
visual inspection — Generates CG and animation; art direction and rigging human
Study scripts to become familiar with production concepts and requirements.
text generation — Script comprehension and requirement extraction well handled
Supervise and coordinate activities of workers engaged in film editing, assembling, and recording activities.
interpersonal — Coordinating production personnel is live supervisory work
Determine the specific audio and visual effects and music necessary to complete films.
text generation — Content selection aided; audience judgment human
Mark frames where a particular shot or piece of sound is to begin or end.
physical manipulation — Labeling production materials is manual
Record needed sounds or obtain them from sound effects libraries.
physical manipulation — Recording equipment physically set up and operated
Conduct film screenings for directors and members of production staffs.
text generation — Providing routine information to coworkers is text-based
Discuss the sound requirements of pictures with sound effects editors.
interpersonal — Technical detail negotiation is interactive human work
Piece sounds together to develop film soundtracks.
visual inspection — AI assists cuts; editorial and technical judgment human
Confer with producers and directors concerning layout or editing approaches needed to increase dramatic or entertainment value of productions.
interpersonal — Technical detail negotiation is interactive human work
Develop post-production models for films.
text generation — Promotional copy and graphics largely AI; human approves
Collaborate with music editors to select appropriate passages of music and develop production scores.
interpersonal — Collaborative artistic production needs live human coordination
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<script src="https://giniloh.com/embed.js" async></script> Community Sentiment
Do you agree with the AI automation risk score calculated for this occupation?
Method
Check: across the 910 occupations where O*NET also rates how far machine speed sets the pace, this index moves opposite to it (Spearman ρ = -0.49). The more a job is paced by equipment, the less of its task content AI can address — the relationship you would expect if the scoring is working.
Sources · O*NET 31.0 (task records to 08/2026) · BLS OEWS May 2025 · BLS projections 2025-2035 · rubric v2.1 · tasks for O*NET, not a forecast
See the full method →Related Article
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